Headshot

On-Axis Soft Headshot

Lighting setup

A large soft source directly over the lens lights the face evenly and frontally, dropping a single catchlight at the top of each eye and keeping the whole face open — a clean, dependable corporate headshot with no side shadow.

Smiling woman in a black blazer and pearl studs on a grey seamless, soft light from camera-left wrapping her face with a gentle falloff on the far cheek.

Base setup

Straight-on, soft, and clean — the reliable headshot.

Front elevation

Complete setup · 1 light

eye lineabovebelowSubjectCamera30° ↑1On-Axis Soft KeyLarge soft source over the lens

Learning path

This setup appears in curated assignments — continue the sequence when you are ready.

Lights
1
Contrast
2:1 – 3:1 (soft, even)
Catchlight
Single soft catchlight at 12 o'clock in both eyes
Key position
On-axis and slightly above, catchlights at 12 o'clock.
Mood
Soft / Commercial
Quality
Soft Light
Subject
Female Beauty
Environment
Studio

Mood variations

Smiling woman in a black blazer and pearl studs on a grey seamless, soft frontal light across the face with only a faint shadow under the chin.

Under-Chin Bounce

Add a white bounce under the chin to lift any neck shadow — it changes nothing about the on-axis look.

Smiling woman in a black blazer and pearl studs on a grey seamless, very soft even light wrapping the face with large catchlights in both eyes.

Softer, Closer

Move the source closer for an even softer wrap and brighter catchlights while keeping it centred over the lens.

Smiling woman in a black blazer and pearl studs on a darker charcoal seamless, soft frontal light with a little more falloff at the cheeks.

Darker Backdrop

Light the grey backdrop less, or pull the subject forward, for a moodier headshot while the frontal key stays the same.

Final look

Smiling woman in a black blazer and pearl studs on a grey seamless, soft light from camera-left wrapping her face with a gentle falloff on the far cheek.

Base setup

A big soft source on the lens axis wraps light around the nose and cheeks almost symmetrically, so there is no loop and no strong shadow to distract from the expression — exactly what a headshot wants. Because the source sits just above the eyes, the catchlights land at twelve o'clock and the forehead reads a touch brighter than the chin, giving gentle shape without breaking the even, approachable look. An even grey backdrop keeps all the attention on the face.

Camera & framing

Exposure

ISO

ISO 100

Shutter

1/160 – 1/200s

Aperture

f/5.6 – f/8

Lens & framing

Lens

85 – 105mm portrait

Camera height

Eye level

Framing

Head and shoulders, full face in frame — chin, forehead, and both ears visible; comfortable headroom; no edge crop

Key notes

  • 1Put one large soft source right over the lens, raised just enough to place the catchlight at the top of the eye.
  • 2Keep it frontal — if a nose shadow angles off to one side you have made a loop; recentre until the face is even.
  • 3Light the grey backdrop evenly (or let a bright even source spill onto it) so it reads as a clean, uniform tone.
  • 4Optional: a white bounce under the chin lifts any neck shadow — it changes nothing about the on-axis look.

Gear alternatives

Same lighting job — budget, mid, and pro tools. Highlighted cells match what this setup names.

Tools

Straight-on, soft, and clean — the reliable headshot.

Step 4/8

Beginner portrait lighting